Before moving into unit stills, I was planning national TV campaigns - juggling lots of numbers while hoping trails got delivered on time and were cleared as 'schedule any time' by the lawyers. I have been part of channel launch teams, helped navigate the on-air fallout of numerous global events and (perhaps most importantly) helped Skins and Married At First Sight UK find their audience.I'm all about the strategy behind the marketing. It's not a part of the TV industry one yearns to get into but it was the one I found myself in and one that ties in to what I do now with unit stills.I work as a film stills and BTS photographer trained by Nicola Dove’s Film Stills Academy and get to capture the production process it as it unfolds. When I step on set, I’m not just here to shoot what’s happening, I’m here to translate it into proof that your story is one to get behind, be that for crowd-funding, the thumbnail for the streaming service or the cast and crew wrap photo you release to fans anticipating the next season.I deploy my invisibility shield and capture what you didn’t know I saw until the proof lands in your inbox. But this isn’t about me. It’s about your production.